Here at the Centre for Imaginative Ethnography we have decided to start a new bibliography dedicated to sound studies. It is a work in progress and we welcome suggestions! Ely Rosenblum has started us off with this extensive list and we’ve already started to add to it. If you’d like to make a suggestion, please email Denielle Elliott

Work in progress bibliography on sound and ethnography

Altman, Rick 1992 Sound Theory/Sound Practice. 1 edition. New York: Routledge.

2003 An Interview with Rick Altman. The Velvet Light Trap 51(1): 67–72.

Andean, James 2014 Towards an Ethics of Creative Sound. Organised Sound 19(02): 173–181.

Andrisani, Vincent 2010 Relocating the Ear: A Cross-Cultural Exploration of the Electrified Soundscape. Canadian Acoustics 38(3): 102–103.

Armbrust, Walter 2004 The Ethnography of Media. Anthropological Quarterly 77(4): 819.

Atkinson, R. 2007 Ecology of sound: the sonic order of urban space. Urban studies 44(10): 1905-1917.

Aubert, Laurent 2007 The Music of the Other: New Challenges for Ethnomusicology in a Global Age. Aldershot, England ; Burlington, VT: Ashgate Pub Co.

Baker, Catherine. “Symphony of Sirens Uses and Problems of Sound in Teaching and Learning about Music and Politics.” Radical History Review2015, no. 121 (2015): 197-208.

Barber, John F. 2014 In the Field: The Art of Field Recording Edited by Cathy Lane and Angus Carlyle (review). Leonardo 47(2): 197–198.

Behrendt, F. 2012 The Sound of Locative Media. Convergence: The International Journal of Research into New Media Technologies 18(3): 283–295.

Biella, Peter 1996 Interactive Media in Anthropology: Seed and Earth–Promise of Rain. American Anthropologist [H.W. Wilson – SSA] 98: 595.

Bijsterveld, K. 2004 “What Do I Do with My Tape Recorder…?”: Sound Hunting and the Sounds of Everyday Dutch Life in the 1950s and 1960s. Historical Journal of Film, Radio, and Television 24(4): 613–634.

Bijsterveld, Karin 2003 “The City of Din”: Decibels, Noise, and Neighbors in The Netherlands, 1910-1980. Osiris 18: 173.

 2006 Listening to Machines: Industrial Noise, Hearing Loss and the Cultural Meaning of Sound. Interdisciplinary Science Reviews 31(4): 323–337.

 2013 Soundscapes of the Urban Past: Staged Sound as Mediated Cultural Heritage. Transcript-Verlag.

Bocast, Chris 2012 Examining the Place of Music in Western Eco-Cosmology, with Implications for Electroacoustic Musical Practice. Organised Sound 17(03): 240–247.

Born, Georgina 1995 Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde: IRCAM, Boulez and the Institutionalization of the Musical Avant-Garde. University of California Press.

 2010a For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn. Journal of the Royal Musical Association 135(2): 205–243.

 2010b Listening, Mediation, Event: Anthropological and Sociological Perspectives. Journal of the Royal Musical Association 135 Suppl 1: 79–89.

 2010c For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn: The 2007 Dent Medal Address. Journal of the Royal Musical Association 135(2): 205–243.

 2010d The Social and the Aesthetic: For a Post-Bourdieuian Theory of Cultural Production. Cultural Sociology 4(2): 171–208.

 2011 Music and the Materialization of Identities. Journal of Material Culture 16(4): 376–388.

Born, Georgina, and David Hesmondhalgh 2000 Western Music and Its Others: Difference, Representation, and Appropriation in Music. Berkeley: University of California Press.

Bourriaud, Nicolas 1998 Relational Aesthetics. France: Les Presse Du Reel.

Bredin, M. 1993 Ethnography and Communication: Approaches to Aboriginal Media. Canadian Journal of Communication 18(3): 297–314.

Bull, Michael 2013 iPod Use: An Urban Aesthetics of Sonic Ubiquity. Continuum 27(4): 495.

Burgess, Richard James 2014 The History of Music Production. New York: Oxford University Press.

Cain, Rebecca, Paul Jennings, Mags Adams, and Neil Bruce 2008 SOUND-SCAPE: A Framework for Characterising Positive Urban Soundscapes. The Journal of the Acoustical Society of America 123(5): 3394.

Cannam, Chris, Christian Landone, and Mark Sandler 2010 Sonic Visualiser: An Open Source Application for Viewing, Analysing, and Annotating Music Audio Files. In Proceedings of the ACM Multimedia 2010 International Conference.

Carlin, Richard 2008 Worlds of Sound: The Story of Smithsonian Folkways. Smithsonian.

Carlyle, Angus 2013 Perception of Soundscapes: An Interdisciplinary Approach. Applied Acoustics 74(2): 224.

Chasalow, Eric 2006 Composing from Memory: The Convergence of Archive Creation and Electroacoustic Composition. Organised Sound 11(01): 63.

Chaudhuri, Shubha, and Anthony Seeger 2004 Global Perspectives on Audiovisual Archives in the 21st Century. First Edition edition. Calcutta: Seagull Books.

Chaves, Rui, and Pedro Rebelo 2012 Evocative Listening: Mediated Practices in Everyday Life. Organised Sound 17(03): 216–222.

Chuengsatiansup, Komatra 1999 Sense, Symbol, and Soma: Illness Experience in the Soundscape of Everyday Life. Culture, Medicine and Psychiatry 23(3): 273.

Clarke, Eric, and Nicholas Cook
 2004a Empirical Musicology: Aims, Methods, Prospects. Oxford University Press, USA.

Clarke, Eric F.
 2005 Ways of Listening: An Ecological Approach to the Perception of Musical Meaning. Oxford University Press, USA.

Coates, Norma
 2008 Sound Studies: Missing the (Popular) Music for the Screens? Cinema Journal 48(1): 123–130.

Connor, Steven
 2001 Dumbstruck: A Cultural History of Ventriloquism. Oxford University Press, USA.

 2014 Beyond Words: Sobs, Hums, Stutters and Other Vocalizations. Reaktion Books.

Cook, Nicholas
 1983 Music, Imagination, and Culture. Reprint edition. Oxford; New York: Clarendon Press.

 2000 Analysing Musical Multimedia. Oxford; New York: Oxford University Press.

 2010 The Ghost in the Machine: Towards a Musicology of Recordings. Musicae Scientiae 14(2): 3–21.

 2013 Beyond the Score: Music as Performance. Oxford University Press, USA.

Cook, Nicholas, Eric Clarke, Daniel Leech-Wilkinson, and John Rink
 2009 The Cambridge Companion to Recorded Music. Cambridge ; New York: Cambridge University Press.

Cook, Nicholas, and Mark Everist
 1999 Rethinking Music. 1 edition. Oxford ; New York: Oxford University Press.

Cooper, Jennifer
 2013 Accessibility of Field Recordings in United States Ethnomusicology and Folk Archives. Music Reference Services Quarterly 16(1): 18.

Coover, Roderick, and Lucien Taylor
 2002 Making Forest of Bliss: Intention, Circumstance, and Chance in Nonflction Film. American Anthropologist 104(2): 651–653.

Crawford, Tim, and Lorna Gibson
 2009 Modern Methods for Musicology. Tim Crawford and Lorna Gibson, eds. Ashgate.

Cushing, Anthony
 2012 Glenn Gould and “Opus 2”: An Outline for a Musical Understanding of Contrapuntal Radio with Respect to The Idea of North. Circuit: Musiques Contemporaines 22(2): 21.

Davis, Tom
 2011 Towards a Relational Understanding of the Performance Ecosystem. Organised Sound 16(02): 120–124.

Delchambre, Jean-Pierre, and Nicolas Marquis
 2013 Modes of Existence Explained to the Moderns, or Bruno Latour’s Plural World. Social Anthropology 21(4): 564–575.

Dell’Antonio, Andrew
 2004 Beyond Structural Listening?: Postmodern Modes of Hearing. Berkeley: University of California Press.

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Demers, Joanna
 2009 Field Recording, Sound Art and Objecthood. Organised Sound 14(1): 39–45.

Diamond, Beverley
 2006 Canadian Reflections on Palindromes, Inversions, and Other Challenges to Ethnomusicology’s Coherence. Ethnomusicology 50(2): 324–336.

Dicks, B.
 2006 Multimodal Ethnography. Qualitative Research 6(1): 77–96.

Dorritie, Frank
 2003 The Handbook of Field Recording. 1 edition. Vallejo, CA: Artistpro.

Dunaway, David King
 1987 Field Recording Oral History. The Oral History Review 15(1): 21–42.

Eisenlohr, P.
 2009 Technologies of the Spirit: Devotional Islam, Sound Reproduction and the Dialectics of Mediation and Immediacy in Mauritius. Anthropological Theory 9(3): 273–296.

Emmerson, Simon
 2000 Music, Electronic Media, and Culture. Aldershot; Burlington, USA: Ashgate.

Erlmann, Veit
 2004 Hearing Cultures: Essays on Sound, Listening and Modernity. Berg.

 2010 Reason and Resonance: A History of Modern Aurality. New York; Cambridge, Mass.: Zone Books ; Distributed by MIT Press.

Fall, Babacar
 2004 Orality and Life Histories: Rethinking the Social and Political History of Senegal. Africa Today 50(2): 55–65.

Feaster, Patrick
 2012 “Rise and Obey the Command”: Performative Fidelity and the Exercise of Phonographic Power. Journal of Popular Music Studies 24(3): 357–395.

 2013 Pictures of Sound: One Thousand Years of Educed Audio : 980-1980.

Feaster, Patrick, and Jacob Smith
 2009 Reconfiguring the History of Early Cinema through the Phonograph, 1877–1908. Film History: An International Journal 21(4): 311–325.

Feld, Steve, and Donald Brenneis
 2004 Doing Anthropology in Sound. American Ethnologist 31(4): 461–474.

Feld, Steven
 1981 Flow Like a Waterfall: The Metaphors of Kaluli Musical Theory. Yearbook for Traditional Music 13: 22.

 1982 Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression. Philadelphia: University of Pennsylvania Press.

 1984a Communication, Music, and Speech About Music. Yearbook for Traditional Music 16: 1–18.

 1984b Communication, Music, and Speech about Music. Yearbook for Traditional Music 16: 1.

 1984c Sound Structure as Social Structure. Ethnomusicology 28(3): 383–409.

 1987 Dialogic Editing: Interpreting How Kaluli Read Sound and Sentiment. Cultural Anthropology 2(2): 190–210.

 1990 Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression. University of Pennsylvania Press.

 1997 The Anthropology of Landscape: Perspectives on Place and Space. The Journal of the Royal Anthropological Institute 3(3): 610–612.

 2002 Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression. 2nd Revised edition edition. Philadelphia: Scholarly Book Services Inc.

 2010 Acoustemic Stratigraphies: Recent Work in Urban Phonography. Sensate., accessed October 27, 2012.

 2012a Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Duke University Press Books.

 2012b Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Duke University Press Books.

Feld, Steven, and Keith H. Basso, eds.
 1996a Senses of Place. School of American Research Advanced Seminar Series. Santa Fe, N.M.: School of American Research Press.

 1996b Senses Of Place. Santa Fe, N.M. : Seattle: School of American Research Press.

Finelli, Patrick
 2012 Sound Studies: Theories of the Material Voice. Theatre Journal 64(3): 445.

Folkerts, Jean
 2001 Recorded Music in American Life: The Phonograph and Popular Memory, 1890-1945. The Journal of American History 87(4): 1545–1546.

Foreman, Iain
 2011 Uncanny Soundscapes: Towards an Inoperative Acoustic Community. Organised Sound 16(03): 264–271.

Freeman, Jason, Carl DiSalvo, Michael Nitsche, and Stephen Garrett
 2011 Soundscape Composition and Field Recording as a Platform for Collaborative Creativity. Organised Sound 16(03): 272–281.

Friedner, M. and S. Helmreich

2012 Sound studies meets deaf studies. The Senses and Society 7(1): 72-86.

Frith, Simon
 1999 Research Matters. The Critical Quarterly 41(3): 123.

 2002 Music and Everyday Life. Critical Quarterly 44(1): 35–48.

Frohmann, Bernd
 2008 Documentary Ethics, Ontology, and Politics. Archival Science 8(3): 165.

Fullerton, Kevin
 2012 Cylinder Preservation and Digitization Project, University of California, Santa Barbara Library, Special Collections, Http:// Journal of the Society for American Music 6(03): 401–403.

Gallagher, Michael, and Jonathan Prior
 2014 Sonic Geographies: Exploring Phonographic Methods. Progress in Human Geography 38(2): 267.

Gaver, William W.
 1993 What in the World Do We Hear?: An Ecological Approach to Auditory Event Perception. Ecological Psychology 5(1): 1–29.

Geismar, Haidy, and Heather A. Horst
 2004 Materializing Ethnography. Journal of Material Culture 9(1): 5–10.

Gerard Forsey, M.
 2010 Ethnography as Participant Listening. Ethnography 11(4): 558–572.

Gershon, Walter S.
 2013a Vibrational Affect: Sound Theory and Practice in Qualitative Research. Cultural Studies ↔ Critical Methodologies 13(4): 257–262.

 2013b Vibrational Affect: Sound Theory and Practice in Qualitative Research. Cultural Studies ↔ Critical Methodologies 13(4): 257–262.

Gopinath, Sumanth, and Jason Stanyek
 2014 The Oxford Handbook of Mobile Music Studies, Volume 2. Oxford University Press.

Gosden, Chris
 2008 Social Ontologies. Philosophical Transactions: Biological Sciences 363(1499): 2003–2010.

Greene, Paul D.
 1999 Sound Engineering in a Tamil Village: Playing Audio Cassettes as Devotional Performance. Ethnomusicology 43(3): 459–489.

Hanáček, Maria
 2009 78 Blues: Folksongs and Phonographs in the American South. Popular Music 28(3): 447–448.

Harman, Graham
 2013 Tool-Being: Heidegger and the Metaphysics of Objects. Open Court.

Hawkins, Margaret R.
 2014 Ontologies of Place, Creative Meaning Making and Critical Cosmopolitan Education. Curriculum Inquiry 44(1): 90–112.

Hedfors, Per
 2008 Site Soundscapes: Landscape Architecture in the Light of Sound. Saarbrücken: VDM Verlag.


Helmreich, Stefan

2007 An anthropologist underwater: Immersive soundscapes, submarine cyborgs, and transductive ethnography. American Ethnologist 34(4): 621-641.

2010 Listening against soundscapes. Anthropology News 51(9): 10.

Hermer, Carol
 2000 Cross-Cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Videos. Journal of Anthropological Research 56(2): 274–275.

Hesmondhalgh, D.
 2008 My Media Studies: A Few of My Favourite Things. Television & New Media 10(1): 86–87.

Hesmondhalgh, David
 2006a Bourdieu, the Media and Cultural Production. Media, Culture & Society [H.W. Wilson – SSA] 28(2): 211.

 2006b Digital Samplings and Cultural inequality.(Special Section: Law and Music). Social & Legal Studies 15(1): 53.

Hilmes, Michele
 2008 Foregrounding Sound: New (and Old) Directions in Sound Studies. Cinema Journal 48(1): 115–117.

Hoffmann, Pablo F., and Henrik Møller
 2008 Audibility of Direct Switching Between Head-Related Transfer Functions. Acta Acustica United with Acustica 94(6): 955–964.

Howes, David
 2012 The Cultural Life of the Senses. Postmedieval: A Journal of Medieval Cultural Studies 3(4): 45

Howes, David, and Constance Classen
 2013 Ways of Sensing: Understanding the Senses in Society. New York: Routledge.

Humphreys, Michael, Andrew Brown, and Mary Jo Hatch
 2003 Is Ethnography Jazz? Organization 10(1): 5–31.

Iscen, Ozgun Eylul
 2014 In-Between Soundscapes of Vancouver: The Newcomer’s Acoustic Experience of a City with a Sensory Repertoire of Another Place. Organised Sound 19(02): 125–135.

Jackson, Mark
 2014 Composing Postcolonial Geographies: Postconstructivism, Ecology and Overcoming Ontologies of Critique. Singapore Journal of Tropical Geography 35(1): 72–87.

Jensen, K. B.
 2006 Sounding the Media: An Interdisciplinary Review and Research Agenda for Digital Sound Studies. Nordicom Review 27(2): 7–33.

Jordan, Randolph
 2012 The Ecology of Listening While Looking in the Cinema: Reflective Audioviewing in Gus Van Sant’s Elephant. Organised Sound 17(03): 248–256.

Kakaliouras, Ann M.
 2012 An Anthropology of Repatriation. Current Anthropology 53(S5): S210–S221.

Karel, Ernst
 2011 Materials Recovery Facility. Sensate., accessed February 14, 2013.

Keil, Charles, and Steven Feld
 2005 Music Grooves. 2nd edition. Tucson, Ariz: Fenestra Books.

Keizer, Garret
 2012 The Unwanted Sound of Everything We Want: A Book About Noise. Reprint. PublicAffairs.

Keller, DamiáN, and Ariadna Capasso
 2006 New Concepts and Techniques in Eco-Composition. Organised Sound 11(01): 55.

Kelman, Ari Y.
 2010 Rethinking the Soundscape: A Critical Genealogy of a Key Term in Sound Studies. The Senses and Society 5(2): 212–234.

Kittler, Friedrich
 1999 Gramophone, Film, Typewriter. Geoffrey Winthrop-Young and Michael Wutz, trans. Stanford, Calif: Stanford University Press.

Klett, Joseph
 2014 Sound on Sound: Situating Interaction in Sonic Object Settings. Sociological Theory 32(2): 147.

Krämer, Sybille
 2006 The Cultural Techniques of Time Axis Manipulation On Friedrich Kittler’s Conception of Media. Theory, Culture & Society 23(7-8): 93–109.

Kunreuther, Laura
 2006 Technologies of the Voice: FM Radio, Telephone, and the Nepali Diaspora in Kathmandu. Cultural Anthropology 21(3): 323–353.

Kürer, R, G Plenge, and H Wilkens
 1975 Artificial Head For The Electro-Acoustic Recording of Three-Dimensional Sound Fields. Audio Export, Georg Neumann & Co.

Kursell, Julia
 2009 Mechanical Sound: Technology, Culture, and Public Problems of Noise in the Twentieth Century. Isis 100(4): 942.

Labelle, Brandon
 2006 Phantom Music: Radio, Memory, and Narratives from Auditory Life. Organised Sound 11(01): 19.

LaBelle, Brandon
 2006 Background Noise: Perspectives on Sound Art. New York: Bloomsbury Academic.

 2010a Acoustic Territories: Sound Culture and Everyday Life. 1 edition. Continuum.

 2010b Acoustic Territories: Sound Culture and Everyday Life. Continuum.

 2014 Lexicon of the Mouth: Poetics and Politics of Voice and the Oral Imaginary. New York: Bloomsbury Academic.

Lane, Cathy
 2006 Voices from the Past: Compositional Approaches to Using Recorded Speech. Organised Sound 11(01): 3.

Lane, Cathy, and Angus Carlyle
 2013 In The Field: The Art of Field Recording. Uniformbooks.

Lane, Cathy, and Nye Parry
 2005 The Memory Machine: Sound and Memory at the British Museum. Organised Sound 10(2): 141–148.

Levin, Thomas Y.
 1990 For the Record: Adorno on Music in the Age of Its Technological Reproducibility. October 55: 23–47.

 2003 “Tones from out of Nowhere”: Rudolph Pfenninger and the Archaeology of Synthetic Sound. Grey Room 12: 32–79.

Li, Xinghua
 2011 Whispering: The Murmur of Power in a Lo-Fi World. Media, Culture & Society 33(1): 19.

Makagon, Daniel G., and Mark Neumann
 2008 Recording Culture: Audio Documentary and the Ethnographic Experience. Los Angeles: SAGE Publications, Inc.

Marry, Solène
 2011 Assessment of Urban Soundscapes. Organised Sound 16(03): 245–255.

Martinez, Jayson J., Josh R. Myers, Thomas J. Carlson, and Z. Daniel Deng
 2011 Design and Implementation of an Underwater Sound Recording Device. Sensors (Basel, Switzerland) 11(9): 8519.

McCartney, Andra
 2000 Hildegard Westerkamp’s Moments of Laughter: Recording Childhood, Performing Motherhood, Refusing to Shut Up, and Laughing. Perspectives of New Music 38(1): 101–128.

McQueen, Amanda
 2013 “Bring the Noise!”: Sonic Intensified Continuity in the Films of Edgar Wright. Music, Sound, and the Moving Image 7(2): 141–165.

Michael, David
 2011 Toward a Dark Nature Recording. Organised Sound 16(03): 206–210.

Nagai, Michelle
 2011 Listen Compose Listen: A Study of Perception, Process and the Spaces between in Two Works Made from Listening. Organised Sound 16(03): 211–219.

Nakamura, Karen
 2013 Making Sense of Sensory Ethnography: The Sensual and the Multisensory. American Anthropologist 115(1): 132–135.

Nancy, Jean-Luc
 2007 Listening. Charlotte Mandell, tran. New York: Fordham University Press.

Nancy, Jean-Luc, and Richard A. Rand
 2008 Corpus. Fordham Univ Press.

Norman, Katharine
 2004 Sounding Art: Eight Literary Excursions through Electronic Music. Aldershot, Hants, England ; Burlington, VT: Ashgate Pub Ltd.

Norment, Camille
 2011 Sound Pools: Cultural Polyphony in Sound and Music. Journal of Visual Culture 10(2): 189–197.

Novak, David
 2008 2·5×6 Metres of Space: Japanese Music Coffeehouses and Experimental Practices of Listening. Popular Music 27(1): 15–34.

 2011 The Sublime Frequencies of New Old Media. Public Culture 23(3 65): 603–634.

Picker, John M.
 2003 Victorian Soundscapes. New York: Oxford University Press.

Pinch, Trevor, and Karin Bijsterveld
 2004 Sound Studies: New Technologies and Music. Social Studies of Science 34(5): 635–648.

Pink, Sarah
 2009 Doing Sensory Ethnography. Sage Publications Ltd.

Porcello, Thomas
 2004 Speaking of Sound: Language and the Professionalization of Sound-Recording Engineers. Social Studies of Science 34(5): 733–758.

Rainforest Soundwalks
 2001 Audio CD. Salem, MA: Earth Ear.

Rehding, Alexander
 2005 Wax Cylinder Revolutions. The Musical Quarterly 88(1): 123–160.

 2011 Ecomusicology between Apocalypse and Nostalgia. Journal of the American Musicological Society 64(2): 409–414.


Rice, Tom

2008 “Beautiful murmurs”: stethoscopic listening and acoustic objectification. The Senses and Society, 3(3): 293-306.

2010 Learning to listen: Auscultation and the transmission of auditory knowledge. Journal of the Royal Anthropological Institute 16(s1): S41-S61.

Rodgers, Tara
 2010 Pink Noises: Women on Electronic Music and Sound. Durham NC: Duke University Press Books.

Rothenberg, David
 2009 The Book of Music and Nature: An Anthology of Sounds, Words, Thoughts. 2nd edition, includes  audio web links edition. Middletown, CT: Wesleyan.

Sallis, Friedemann
 2005 Glenn Gould’s Idea of North and the Production of Place in Music. Intersections: Canadian Journal of Music 25(1-2): 113.

Samuels, David W., Louise Meintjes, Ana Maria Ochoa, and Thomas Porcello
 2010 Soundscapes: Toward a Sounded Anthropology. Annual Review of Anthropology 39: 329.

Scales, Rebecca
 2014 Soundscapes of the Urb
an Past: Staged Sound as Mediated Cultural Heritage Ed. by Karin Bijsterveld (review). Technology and Culture 55(1): 265–267.

Schafer, R. Murray
 1969 The New Soundscape: A Handbook for The Modern Music Teacher. Don Mills, Ont.]: BMI Canada.

 1977 The Tuning of the World. 1st ed. New York: Knopf.

Schmidt, Leigh Eric
 2002 Hearing Things: Religion, Illusion, and the American Enlightenment. Cambridge, Mass.: Harvard University Press.

Schwartz, Tony
 1974 The Responsive Chord. Anchor Press.

 1983 Media: The Second God. Reprint. Doubleday.

Schwartz, Tony, and Richard Kostelanetz
 1996 Interview with Tony Schwartz, American Hörspielmacher. Perspectives of New Music 34(1): 56–64.

Seeger, Anthony
 2002 Changing Lives with Recorded Sound: Recordings and Profound Musical Experiences the CMS Robert M. Trotter Lecture 2001. College Music Symposium 42: 1–8.

Sexton, Jamie
 2007 Music, Sound and Multimedia: From the Live to the Virtual. Edinburgh: Edinburgh University Press.

Shin, Seongah
 2011 The Sound of Old Media. Journal of Visual Culture 10(2): 251–254.

Sterne, Jonathan
 2001 Mediate Auscultation, the Stethoscope, and the “Autopsy of the Living”: Medicine’s Acoustic Culture. Journal of Medical Humanities 22(2): 115–136.

 2003a The Audible Past: Cultural Origins of Sound Reproduction. Duke University Press.

 2003b Bourdieu, Technique And Technology. Cultural Studies 17(3): 367–389.

 2005 Digital Media and Disciplinarity. Information Society 21(4): 249–256.

 2008 Being “In the True” of Sound Studies. Music, Sound, and the Moving Image 2(2): 163–167.

 2011 The Theology of Sound: A Critique of Orality. Canadian Journal of Communication 36(2): 207.

 2012a MP3: The Meaning of a Format. Durham, N.C.: Duke University Press.

 2012b The Sound Studies Reader. Routledge.

 N.d. The Audible Past: Cultural Origins of Sound Reproduction by Sterne, Jonathan. Duke University Press.

Stoller, Paul
 1997 Sensuous Scholarship. Philadelphia: University of Pennsylvania Press.

Street, Seán
 2014 The Memory of Sound: Preserving the Sonic Past. 1 edition. New York: Routledge.

Suisman, David
 2012a Listening to the City. Smithsonian Folkways Magazine.

 2012b Selling Sounds: The Commercial Revolution in American Music. Harvard University Press.

 2012c Sound in the Age of Mechanical Reproduction. Philadelphia: University of Pennsylvania Press.

Szwed, John
 2012 The Man Who Recorded the World. Cornerstone Digital.

Toop, David
 2001 Ocean of Sound. London: Serpent’s Tail.

 2006 Haunted Weather: Music, Silence and Memory. London: Five Star.

 2010a Sinister Resonance: The Mediumship of the Listener. 1st edition. Continuum.

 2010b Sinister Resonance: The Mediumship of the Listener. 1 edition. Continuum.

Truax, Barry
 2012a Sound, Listening and Place: The Aesthetic Dilemma. Organised Sound 17(03): 193–201.

 2012b Sound, Listening and Place: The Aesthetic Dilemma. Organised Sound 17(03): 193–201.

Uimonen, Heikki
 2011 Everyday Sounds Revealed: Acoustic Communication and Environmental Recordings. Organised Sound 16(3): 256–263.

Vorlander, Michael
 2011 Sound Fields in Complex Listening Environments. Trends in Amplification 15(3): 106.

Wade, Stephen
 2012 The Beautiful Music All Around Us: Field Recordings and the American Experience. Har/Com. University of Illinois Press.

Waitt, Gordon, Ella Ryan, and Carol Farbotko
 2014 A Visceral Politics of Sound. Antipode 46(1): 283–300.

Weidman, Amanda
 2010 Sound and the City: Mimicry and Media in South India. Journal of Linguistic Anthropology 20(2): 294–313.

Westerkamp, Hildegard
 2002 Linking Soundscape Composition and Acoustic Ecology. Organised Sound 7(1): 51–56.

Whittington, Ian
 2014 Radio Studies and 20th‐Century Literature: Ethics, Aesthetics, and Remediation. Literature Compass 11(9): 634–648.

Wierzbicki, James
 2012 Music, Sound and Filmmakers: Sonic Style in Cinema. 1 edition. New York, NY ; Abingdon, Oxon: Routledge.

Wilson, Harold A.
 1982 Seismic Field Recording Technique. The Journal of the Acoustical Society of America 72(2): 655.

Wong, Mandy-Suzanne
 2012 Sound Art. Grove Music Online. Oxford University Pres.