Here at the Centre for Imaginative Ethnography we have decided to start a new bibliography dedicated to sound studies. It is a work in progress and we welcome suggestions! Ely Rosenblum has started us off with this extensive list and we’ve already started to add to it. If you’d like to make a suggestion, please email Denielle Elliott.
Work in progress bibliography on sound and ethnography
Altman, Rick 1992 Sound Theory/Sound Practice. 1 edition. New York: Routledge.
2003 An Interview with Rick Altman. The Velvet Light Trap 51(1): 67–72.
Andean, James 2014 Towards an Ethics of Creative Sound. Organised Sound 19(02): 173–181.
Andrisani, Vincent 2010 Relocating the Ear: A Cross-Cultural Exploration of the Electrified Soundscape. Canadian Acoustics 38(3): 102–103.
Armbrust, Walter 2004 The Ethnography of Media. Anthropological Quarterly 77(4): 819.
Atkinson, R. 2007 Ecology of sound: the sonic order of urban space. Urban studies 44(10): 1905-1917.
Aubert, Laurent 2007 The Music of the Other: New Challenges for Ethnomusicology in a Global Age. Aldershot, England ; Burlington, VT: Ashgate Pub Co.
Baker, Catherine. “Symphony of Sirens Uses and Problems of Sound in Teaching and Learning about Music and Politics.” Radical History Review2015, no. 121 (2015): 197-208.
Barber, John F. 2014 In the Field: The Art of Field Recording Edited by Cathy Lane and Angus Carlyle (review). Leonardo 47(2): 197–198.
Behrendt, F. 2012 The Sound of Locative Media. Convergence: The International Journal of Research into New Media Technologies 18(3): 283–295.
Biella, Peter 1996 Interactive Media in Anthropology: Seed and Earth–Promise of Rain. American Anthropologist [H.W. Wilson – SSA] 98: 595.
Bijsterveld, K. 2004 “What Do I Do with My Tape Recorder…?”: Sound Hunting and the Sounds of Everyday Dutch Life in the 1950s and 1960s. Historical Journal of Film, Radio, and Television 24(4): 613–634.
Bijsterveld, Karin 2003 “The City of Din”: Decibels, Noise, and Neighbors in The Netherlands, 1910-1980. Osiris 18: 173.
2006 Listening to Machines: Industrial Noise, Hearing Loss and the Cultural Meaning of Sound. Interdisciplinary Science Reviews 31(4): 323–337.
2013 Soundscapes of the Urban Past: Staged Sound as Mediated Cultural Heritage. Transcript-Verlag.
Bocast, Chris 2012 Examining the Place of Music in Western Eco-Cosmology, with Implications for Electroacoustic Musical Practice. Organised Sound 17(03): 240–247.
Born, Georgina 1995 Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde: IRCAM, Boulez and the Institutionalization of the Musical Avant-Garde. University of California Press.
2010a For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn. Journal of the Royal Musical Association 135(2): 205–243.
2010b Listening, Mediation, Event: Anthropological and Sociological Perspectives. Journal of the Royal Musical Association 135 Suppl 1: 79–89.
2010c For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn: The 2007 Dent Medal Address. Journal of the Royal Musical Association 135(2): 205–243.
2010d The Social and the Aesthetic: For a Post-Bourdieuian Theory of Cultural Production. Cultural Sociology 4(2): 171–208.
2011 Music and the Materialization of Identities. Journal of Material Culture 16(4): 376–388.
Born, Georgina, and David Hesmondhalgh 2000 Western Music and Its Others: Difference, Representation, and Appropriation in Music. Berkeley: University of California Press.
Bourriaud, Nicolas 1998 Relational Aesthetics. France: Les Presse Du Reel.
Bredin, M. 1993 Ethnography and Communication: Approaches to Aboriginal Media. Canadian Journal of Communication 18(3): 297–314.
Bull, Michael 2013 iPod Use: An Urban Aesthetics of Sonic Ubiquity. Continuum 27(4): 495.
Burgess, Richard James 2014 The History of Music Production. New York: Oxford University Press.
Cain, Rebecca, Paul Jennings, Mags Adams, and Neil Bruce 2008 SOUND-SCAPE: A Framework for Characterising Positive Urban Soundscapes. The Journal of the Acoustical Society of America 123(5): 3394.
Cannam, Chris, Christian Landone, and Mark Sandler 2010 Sonic Visualiser: An Open Source Application for Viewing, Analysing, and Annotating Music Audio Files. In Proceedings of the ACM Multimedia 2010 International Conference.
Carlin, Richard 2008 Worlds of Sound: The Story of Smithsonian Folkways. Smithsonian.
Carlyle, Angus 2013 Perception of Soundscapes: An Interdisciplinary Approach. Applied Acoustics 74(2): 224.
Chasalow, Eric 2006 Composing from Memory: The Convergence of Archive Creation and Electroacoustic Composition. Organised Sound 11(01): 63.
Chaudhuri, Shubha, and Anthony Seeger 2004 Global Perspectives on Audiovisual Archives in the 21st Century. First Edition edition. Calcutta: Seagull Books.
Chaves, Rui, and Pedro Rebelo 2012 Evocative Listening: Mediated Practices in Everyday Life. Organised Sound 17(03): 216–222.
Chuengsatiansup, Komatra 1999 Sense, Symbol, and Soma: Illness Experience in the Soundscape of Everyday Life. Culture, Medicine and Psychiatry 23(3): 273.
Clarke, Eric, and Nicholas Cook
2004a Empirical Musicology: Aims, Methods, Prospects. Oxford University Press, USA.
Clarke, Eric F.
2005 Ways of Listening: An Ecological Approach to the Perception of Musical Meaning. Oxford University Press, USA.
Coates, Norma
2008 Sound Studies: Missing the (Popular) Music for the Screens? Cinema Journal 48(1): 123–130.
Connor, Steven
2001 Dumbstruck: A Cultural History of Ventriloquism. Oxford University Press, USA.
2014 Beyond Words: Sobs, Hums, Stutters and Other Vocalizations. Reaktion Books.
Cook, Nicholas
1983 Music, Imagination, and Culture. Reprint edition. Oxford; New York: Clarendon Press.
2000 Analysing Musical Multimedia. Oxford; New York: Oxford University Press.
2010 The Ghost in the Machine: Towards a Musicology of Recordings. Musicae Scientiae 14(2): 3–21.
2013 Beyond the Score: Music as Performance. Oxford University Press, USA.
Cook, Nicholas, Eric Clarke, Daniel Leech-Wilkinson, and John Rink
2009 The Cambridge Companion to Recorded Music. Cambridge ; New York: Cambridge University Press.
Cook, Nicholas, and Mark Everist
1999 Rethinking Music. 1 edition. Oxford ; New York: Oxford University Press.
Cooper, Jennifer
2013 Accessibility of Field Recordings in United States Ethnomusicology and Folk Archives. Music Reference Services Quarterly 16(1): 18.
Coover, Roderick, and Lucien Taylor
2002 Making Forest of Bliss: Intention, Circumstance, and Chance in Nonflction Film. American Anthropologist 104(2): 651–653.
Crawford, Tim, and Lorna Gibson
2009 Modern Methods for Musicology. Tim Crawford and Lorna Gibson, eds. Ashgate.
Cushing, Anthony
2012 Glenn Gould and “Opus 2”: An Outline for a Musical Understanding of Contrapuntal Radio with Respect to The Idea of North. Circuit: Musiques Contemporaines 22(2): 21.
Davis, Tom
2011 Towards a Relational Understanding of the Performance Ecosystem. Organised Sound 16(02): 120–124.
Delchambre, Jean-Pierre, and Nicolas Marquis
2013 Modes of Existence Explained to the Moderns, or Bruno Latour’s Plural World. Social Anthropology 21(4): 564–575.
Dell’Antonio, Andrew
2004 Beyond Structural Listening?: Postmodern Modes of Hearing. Berkeley: University of California Press.
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Demers, Joanna
2009 Field Recording, Sound Art and Objecthood. Organised Sound 14(1): 39–45.
Diamond, Beverley
2006 Canadian Reflections on Palindromes, Inversions, and Other Challenges to Ethnomusicology’s Coherence. Ethnomusicology 50(2): 324–336.
Dicks, B.
2006 Multimodal Ethnography. Qualitative Research 6(1): 77–96.
Dorritie, Frank
2003 The Handbook of Field Recording. 1 edition. Vallejo, CA: Artistpro.
Dunaway, David King
1987 Field Recording Oral History. The Oral History Review 15(1): 21–42.
Eisenlohr, P.
2009 Technologies of the Spirit: Devotional Islam, Sound Reproduction and the Dialectics of Mediation and Immediacy in Mauritius. Anthropological Theory 9(3): 273–296.
Emmerson, Simon
2000 Music, Electronic Media, and Culture. Aldershot; Burlington, USA: Ashgate.
Erlmann, Veit
2004 Hearing Cultures: Essays on Sound, Listening and Modernity. Berg.
2010 Reason and Resonance: A History of Modern Aurality. New York; Cambridge, Mass.: Zone Books ; Distributed by MIT Press.
Fall, Babacar
2004 Orality and Life Histories: Rethinking the Social and Political History of Senegal. Africa Today 50(2): 55–65.
Feaster, Patrick
2012 “Rise and Obey the Command”: Performative Fidelity and the Exercise of Phonographic Power. Journal of Popular Music Studies 24(3): 357–395.
2013 Pictures of Sound: One Thousand Years of Educed Audio : 980-1980.
Feaster, Patrick, and Jacob Smith
2009 Reconfiguring the History of Early Cinema through the Phonograph, 1877–1908. Film History: An International Journal 21(4): 311–325.
Feld, Steve, and Donald Brenneis
2004 Doing Anthropology in Sound. American Ethnologist 31(4): 461–474.
Feld, Steven
1981 Flow Like a Waterfall: The Metaphors of Kaluli Musical Theory. Yearbook for Traditional Music 13: 22.
1982 Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression. Philadelphia: University of Pennsylvania Press.
1984a Communication, Music, and Speech About Music. Yearbook for Traditional Music 16: 1–18.
1984b Communication, Music, and Speech about Music. Yearbook for Traditional Music 16: 1.
1984c Sound Structure as Social Structure. Ethnomusicology 28(3): 383–409.
1987 Dialogic Editing: Interpreting How Kaluli Read Sound and Sentiment. Cultural Anthropology 2(2): 190–210.
1990 Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression. University of Pennsylvania Press.
1997 The Anthropology of Landscape: Perspectives on Place and Space. The Journal of the Royal Anthropological Institute 3(3): 610–612.
2002 Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression. 2nd Revised edition edition. Philadelphia: Scholarly Book Services Inc.
2010 Acoustemic Stratigraphies: Recent Work in Urban Phonography. Sensate. http://sensatejournal.com/2011/03/steven-feld-acoustemic/, accessed October 27, 2012.
2012a Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Duke University Press Books.
2012b Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Duke University Press Books.
Feld, Steven, and Keith H. Basso, eds.
1996a Senses of Place. School of American Research Advanced Seminar Series. Santa Fe, N.M.: School of American Research Press.
1996b Senses Of Place. Santa Fe, N.M. : Seattle: School of American Research Press.
Finelli, Patrick
2012 Sound Studies: Theories of the Material Voice. Theatre Journal 64(3): 445.
Folkerts, Jean
2001 Recorded Music in American Life: The Phonograph and Popular Memory, 1890-1945. The Journal of American History 87(4): 1545–1546.
Foreman, Iain
2011 Uncanny Soundscapes: Towards an Inoperative Acoustic Community. Organised Sound 16(03): 264–271.
Freeman, Jason, Carl DiSalvo, Michael Nitsche, and Stephen Garrett
2011 Soundscape Composition and Field Recording as a Platform for Collaborative Creativity. Organised Sound 16(03): 272–281.
Friedner, M. and S. Helmreich
2012 Sound studies meets deaf studies. The Senses and Society 7(1): 72-86.
Frith, Simon
1999 Research Matters. The Critical Quarterly 41(3): 123.
2002 Music and Everyday Life. Critical Quarterly 44(1): 35–48.
Frohmann, Bernd
2008 Documentary Ethics, Ontology, and Politics. Archival Science 8(3): 165.
Fullerton, Kevin
2012 Cylinder Preservation and Digitization Project, University of California, Santa Barbara Library, Special Collections, Http://cylinders.library.ucsb.edu/index.php. Journal of the Society for American Music 6(03): 401–403.
Gallagher, Michael, and Jonathan Prior
2014 Sonic Geographies: Exploring Phonographic Methods. Progress in Human Geography 38(2): 267.
Gaver, William W.
1993 What in the World Do We Hear?: An Ecological Approach to Auditory Event Perception. Ecological Psychology 5(1): 1–29.
Geismar, Haidy, and Heather A. Horst
2004 Materializing Ethnography. Journal of Material Culture 9(1): 5–10.
Gerard Forsey, M.
2010 Ethnography as Participant Listening. Ethnography 11(4): 558–572.
Gershon, Walter S.
2013a Vibrational Affect: Sound Theory and Practice in Qualitative Research. Cultural Studies ↔ Critical Methodologies 13(4): 257–262.
2013b Vibrational Affect: Sound Theory and Practice in Qualitative Research. Cultural Studies ↔ Critical Methodologies 13(4): 257–262.
Gopinath, Sumanth, and Jason Stanyek
2014 The Oxford Handbook of Mobile Music Studies, Volume 2. Oxford University Press.
Gosden, Chris
2008 Social Ontologies. Philosophical Transactions: Biological Sciences 363(1499): 2003–2010.
Greene, Paul D.
1999 Sound Engineering in a Tamil Village: Playing Audio Cassettes as Devotional Performance. Ethnomusicology 43(3): 459–489.
Hanáček, Maria
2009 78 Blues: Folksongs and Phonographs in the American South. Popular Music 28(3): 447–448.
Harman, Graham
2013 Tool-Being: Heidegger and the Metaphysics of Objects. Open Court.
Hawkins, Margaret R.
2014 Ontologies of Place, Creative Meaning Making and Critical Cosmopolitan Education. Curriculum Inquiry 44(1): 90–112.
Hedfors, Per
2008 Site Soundscapes: Landscape Architecture in the Light of Sound. Saarbrücken: VDM Verlag.
Helmreich, Stefan
2007 An anthropologist underwater: Immersive soundscapes, submarine cyborgs, and transductive ethnography. American Ethnologist 34(4): 621-641.
2010 Listening against soundscapes. Anthropology News 51(9): 10.
Hermer, Carol
2000 Cross-Cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Videos. Journal of Anthropological Research 56(2): 274–275.
Hesmondhalgh, D.
2008 My Media Studies: A Few of My Favourite Things. Television & New Media 10(1): 86–87.
Hesmondhalgh, David
2006a Bourdieu, the Media and Cultural Production. Media, Culture & Society [H.W. Wilson – SSA] 28(2): 211.
2006b Digital Samplings and Cultural inequality.(Special Section: Law and Music). Social & Legal Studies 15(1): 53.
Hilmes, Michele
2008 Foregrounding Sound: New (and Old) Directions in Sound Studies. Cinema Journal 48(1): 115–117.
Hoffmann, Pablo F., and Henrik Møller
2008 Audibility of Direct Switching Between Head-Related Transfer Functions. Acta Acustica United with Acustica 94(6): 955–964.
Howes, David
2012 The Cultural Life of the Senses. Postmedieval: A Journal of Medieval Cultural Studies 3(4): 45
0–454.
Howes, David, and Constance Classen
2013 Ways of Sensing: Understanding the Senses in Society. New York: Routledge.
Humphreys, Michael, Andrew Brown, and Mary Jo Hatch
2003 Is Ethnography Jazz? Organization 10(1): 5–31.
Iscen, Ozgun Eylul
2014 In-Between Soundscapes of Vancouver: The Newcomer’s Acoustic Experience of a City with a Sensory Repertoire of Another Place. Organised Sound 19(02): 125–135.
Jackson, Mark
2014 Composing Postcolonial Geographies: Postconstructivism, Ecology and Overcoming Ontologies of Critique. Singapore Journal of Tropical Geography 35(1): 72–87.
Jensen, K. B.
2006 Sounding the Media: An Interdisciplinary Review and Research Agenda for Digital Sound Studies. Nordicom Review 27(2): 7–33.
Jordan, Randolph
2012 The Ecology of Listening While Looking in the Cinema: Reflective Audioviewing in Gus Van Sant’s Elephant. Organised Sound 17(03): 248–256.
Kakaliouras, Ann M.
2012 An Anthropology of Repatriation. Current Anthropology 53(S5): S210–S221.
Karel, Ernst
2011 Materials Recovery Facility. Sensate. http://sensatejournal.com/2012/04/ernst-karel-materials-recovery-facility/, accessed February 14, 2013.
Keil, Charles, and Steven Feld
2005 Music Grooves. 2nd edition. Tucson, Ariz: Fenestra Books.
Keizer, Garret
2012 The Unwanted Sound of Everything We Want: A Book About Noise. Reprint. PublicAffairs.
Keller, DamiáN, and Ariadna Capasso
2006 New Concepts and Techniques in Eco-Composition. Organised Sound 11(01): 55.
Kelman, Ari Y.
2010 Rethinking the Soundscape: A Critical Genealogy of a Key Term in Sound Studies. The Senses and Society 5(2): 212–234.
Kittler, Friedrich
1999 Gramophone, Film, Typewriter. Geoffrey Winthrop-Young and Michael Wutz, trans. Stanford, Calif: Stanford University Press.
Klett, Joseph
2014 Sound on Sound: Situating Interaction in Sonic Object Settings. Sociological Theory 32(2): 147.
Krämer, Sybille
2006 The Cultural Techniques of Time Axis Manipulation On Friedrich Kittler’s Conception of Media. Theory, Culture & Society 23(7-8): 93–109.
Kunreuther, Laura
2006 Technologies of the Voice: FM Radio, Telephone, and the Nepali Diaspora in Kathmandu. Cultural Anthropology 21(3): 323–353.
Kürer, R, G Plenge, and H Wilkens
1975 Artificial Head For The Electro-Acoustic Recording of Three-Dimensional Sound Fields. Audio Export, Georg Neumann & Co.
Kursell, Julia
2009 Mechanical Sound: Technology, Culture, and Public Problems of Noise in the Twentieth Century. Isis 100(4): 942.
Labelle, Brandon
2006 Phantom Music: Radio, Memory, and Narratives from Auditory Life. Organised Sound 11(01): 19.
LaBelle, Brandon
2006 Background Noise: Perspectives on Sound Art. New York: Bloomsbury Academic.
2010a Acoustic Territories: Sound Culture and Everyday Life. 1 edition. Continuum.
2010b Acoustic Territories: Sound Culture and Everyday Life. Continuum.
2014 Lexicon of the Mouth: Poetics and Politics of Voice and the Oral Imaginary. New York: Bloomsbury Academic.
Lane, Cathy
2006 Voices from the Past: Compositional Approaches to Using Recorded Speech. Organised Sound 11(01): 3.
Lane, Cathy, and Angus Carlyle
2013 In The Field: The Art of Field Recording. Uniformbooks.
Lane, Cathy, and Nye Parry
2005 The Memory Machine: Sound and Memory at the British Museum. Organised Sound 10(2): 141–148.
Levin, Thomas Y.
1990 For the Record: Adorno on Music in the Age of Its Technological Reproducibility. October 55: 23–47.
2003 “Tones from out of Nowhere”: Rudolph Pfenninger and the Archaeology of Synthetic Sound. Grey Room 12: 32–79.
Li, Xinghua
2011 Whispering: The Murmur of Power in a Lo-Fi World. Media, Culture & Society 33(1): 19.
Makagon, Daniel G., and Mark Neumann
2008 Recording Culture: Audio Documentary and the Ethnographic Experience. Los Angeles: SAGE Publications, Inc.
Marry, Solène
2011 Assessment of Urban Soundscapes. Organised Sound 16(03): 245–255.
Martinez, Jayson J., Josh R. Myers, Thomas J. Carlson, and Z. Daniel Deng
2011 Design and Implementation of an Underwater Sound Recording Device. Sensors (Basel, Switzerland) 11(9): 8519.
McCartney, Andra
2000 Hildegard Westerkamp’s Moments of Laughter: Recording Childhood, Performing Motherhood, Refusing to Shut Up, and Laughing. Perspectives of New Music 38(1): 101–128.
McQueen, Amanda
2013 “Bring the Noise!”: Sonic Intensified Continuity in the Films of Edgar Wright. Music, Sound, and the Moving Image 7(2): 141–165.
Michael, David
2011 Toward a Dark Nature Recording. Organised Sound 16(03): 206–210.
Nagai, Michelle
2011 Listen Compose Listen: A Study of Perception, Process and the Spaces between in Two Works Made from Listening. Organised Sound 16(03): 211–219.
Nakamura, Karen
2013 Making Sense of Sensory Ethnography: The Sensual and the Multisensory. American Anthropologist 115(1): 132–135.
Nancy, Jean-Luc
2007 Listening. Charlotte Mandell, tran. New York: Fordham University Press.
Nancy, Jean-Luc, and Richard A. Rand
2008 Corpus. Fordham Univ Press.
Norman, Katharine
2004 Sounding Art: Eight Literary Excursions through Electronic Music. Aldershot, Hants, England ; Burlington, VT: Ashgate Pub Ltd.
Norment, Camille
2011 Sound Pools: Cultural Polyphony in Sound and Music. Journal of Visual Culture 10(2): 189–197.
Novak, David
2008 2·5×6 Metres of Space: Japanese Music Coffeehouses and Experimental Practices of Listening. Popular Music 27(1): 15–34.
2011 The Sublime Frequencies of New Old Media. Public Culture 23(3 65): 603–634.
Picker, John M.
2003 Victorian Soundscapes. New York: Oxford University Press.
Pinch, Trevor, and Karin Bijsterveld
2004 Sound Studies: New Technologies and Music. Social Studies of Science 34(5): 635–648.
Pink, Sarah
2009 Doing Sensory Ethnography. Sage Publications Ltd.
Porcello, Thomas
2004 Speaking of Sound: Language and the Professionalization of Sound-Recording Engineers. Social Studies of Science 34(5): 733–758.
Rainforest Soundwalks
2001 Audio CD. Salem, MA: Earth Ear.
Rehding, Alexander
2005 Wax Cylinder Revolutions. The Musical Quarterly 88(1): 123–160.
2011 Ecomusicology between Apocalypse and Nostalgia. Journal of the American Musicological Society 64(2): 409–414.
Rice, Tom
2008 “Beautiful murmurs”: stethoscopic listening and acoustic objectification. The Senses and Society, 3(3): 293-306.
2010 Learning to listen: Auscultation and the transmission of auditory knowledge. Journal of the Royal Anthropological Institute 16(s1): S41-S61.
Rodgers, Tara
2010 Pink Noises: Women on Electronic Music and Sound. Durham NC: Duke University Press Books.
Rothenberg, David
2009 The Book of Music and Nature: An Anthology of Sounds, Words, Thoughts. 2nd edition, includes audio web links edition. Middletown, CT: Wesleyan.
Sallis, Friedemann
2005 Glenn Gould’s Idea of North and the Production of Place in Music. Intersections: Canadian Journal of Music 25(1-2): 113.
Samuels, David W., Louise Meintjes, Ana Maria Ochoa, and Thomas Porcello
2010 Soundscapes: Toward a Sounded Anthropology. Annual Review of Anthropology 39: 329.
Scales, Rebecca
2014 Soundscapes of the Urb
an Past: Staged Sound as Mediated Cultural Heritage Ed. by Karin Bijsterveld (review). Technology and Culture 55(1): 265–267.
Schafer, R. Murray
1969 The New Soundscape: A Handbook for The Modern Music Teacher. Don Mills, Ont.]: BMI Canada.
1977 The Tuning of the World. 1st ed. New York: Knopf.
Schmidt, Leigh Eric
2002 Hearing Things: Religion, Illusion, and the American Enlightenment. Cambridge, Mass.: Harvard University Press.
Schwartz, Tony
1974 The Responsive Chord. Anchor Press.
1983 Media: The Second God. Reprint. Doubleday.
Schwartz, Tony, and Richard Kostelanetz
1996 Interview with Tony Schwartz, American Hörspielmacher. Perspectives of New Music 34(1): 56–64.
Seeger, Anthony
2002 Changing Lives with Recorded Sound: Recordings and Profound Musical Experiences the CMS Robert M. Trotter Lecture 2001. College Music Symposium 42: 1–8.
Sexton, Jamie
2007 Music, Sound and Multimedia: From the Live to the Virtual. Edinburgh: Edinburgh University Press.
Shin, Seongah
2011 The Sound of Old Media. Journal of Visual Culture 10(2): 251–254.
Sterne, Jonathan
2001 Mediate Auscultation, the Stethoscope, and the “Autopsy of the Living”: Medicine’s Acoustic Culture. Journal of Medical Humanities 22(2): 115–136.
2003a The Audible Past: Cultural Origins of Sound Reproduction. Duke University Press.
2003b Bourdieu, Technique And Technology. Cultural Studies 17(3): 367–389.
2005 Digital Media and Disciplinarity. Information Society 21(4): 249–256.
2008 Being “In the True” of Sound Studies. Music, Sound, and the Moving Image 2(2): 163–167.
2011 The Theology of Sound: A Critique of Orality. Canadian Journal of Communication 36(2): 207.
2012a MP3: The Meaning of a Format. Durham, N.C.: Duke University Press.
2012b The Sound Studies Reader. Routledge.
N.d. The Audible Past: Cultural Origins of Sound Reproduction by Sterne, Jonathan. Duke University Press.
Stoller, Paul
1997 Sensuous Scholarship. Philadelphia: University of Pennsylvania Press.
Street, Seán
2014 The Memory of Sound: Preserving the Sonic Past. 1 edition. New York: Routledge.
Suisman, David
2012a Listening to the City. Smithsonian Folkways Magazine. http://www.folkways.si.edu/magazine/2012_fall_winter/cover_story.aspx.
2012b Selling Sounds: The Commercial Revolution in American Music. Harvard University Press.
2012c Sound in the Age of Mechanical Reproduction. Philadelphia: University of Pennsylvania Press.
Szwed, John
2012 The Man Who Recorded the World. Cornerstone Digital.
Toop, David
2001 Ocean of Sound. London: Serpent’s Tail.
2006 Haunted Weather: Music, Silence and Memory. London: Five Star.
2010a Sinister Resonance: The Mediumship of the Listener. 1st edition. Continuum.
2010b Sinister Resonance: The Mediumship of the Listener. 1 edition. Continuum.
Truax, Barry
2012a Sound, Listening and Place: The Aesthetic Dilemma. Organised Sound 17(03): 193–201.
2012b Sound, Listening and Place: The Aesthetic Dilemma. Organised Sound 17(03): 193–201.
Uimonen, Heikki
2011 Everyday Sounds Revealed: Acoustic Communication and Environmental Recordings. Organised Sound 16(3): 256–263.
Vorlander, Michael
2011 Sound Fields in Complex Listening Environments. Trends in Amplification 15(3): 106.
Wade, Stephen
2012 The Beautiful Music All Around Us: Field Recordings and the American Experience. Har/Com. University of Illinois Press.
Waitt, Gordon, Ella Ryan, and Carol Farbotko
2014 A Visceral Politics of Sound. Antipode 46(1): 283–300.
Weidman, Amanda
2010 Sound and the City: Mimicry and Media in South India. Journal of Linguistic Anthropology 20(2): 294–313.
Westerkamp, Hildegard
2002 Linking Soundscape Composition and Acoustic Ecology. Organised Sound 7(1): 51–56.
Whittington, Ian
2014 Radio Studies and 20th‐Century Literature: Ethics, Aesthetics, and Remediation. Literature Compass 11(9): 634–648.
Wierzbicki, James
2012 Music, Sound and Filmmakers: Sonic Style in Cinema. 1 edition. New York, NY ; Abingdon, Oxon: Routledge.
Wilson, Harold A.
1982 Seismic Field Recording Technique. The Journal of the Acoustical Society of America 72(2): 655.
Wong, Mandy-Suzanne
2012 Sound Art. Grove Music Online. Oxford University Pres.
